Every film you are developing,
and the one step each needs next.

Storyflow is the one built for a development slate: every project that is not yet greenlit in one table, a folder per project for its deck, lookbook and script, and an AI that reads the script and builds the pitch deck on the same board. The script itself is still written in Final Draft, and the budget is still built in Movie Magic Budgeting.

A development slate is the list of films or series a producer or company is working on that have not been greenlit. It shows each project's stage, rights, script status, attachments and financing, so the projects can be compared and time can be given to the ones most likely to be made. On a Storyflow board it is one table with a folder behind every row.

A common sequence is idea, rights secured, treatment, first draft, rewrites, packaging, financing, then greenlit or shelved. Packaging means attaching a director and lead cast. Financing means closing the money. In Storyflow the stage is a label column you name yourself, so the stages match the way your company talks.

Fewer than feels comfortable. A two person company can usually move one lead project, keep two more alive with a day a week each, and hold three or four that are waiting on someone else. The Storyflow slate makes the count visible, which is often the moment a producer admits that nine projects means none are moving.

An option is a paid, exclusive right to buy a script or book within a fixed time, often 12 to 18 months, sometimes with an extension. When it ends without being exercised or extended, the rights go back to the owner. Put the end date, the price and the extension terms in the slate row on Storyflow, with a dated card three months ahead.

Compare the rows on four things: how soon the rights run out, how close the script is to being sent out, who is attached, and how much of the budget has a realistic source. The project that is strongest on three of the four becomes the lead. With every project in one Storyflow table, that comparison takes minutes, and you can repeat it every quarter as the rows change.

Yes, with the paperwork around the creative work. Storyflow's AI reads a script you attach and drafts a logline and a one page synopsis, lists what changed between two drafts, reads an option agreement and pulls out its term and price, and builds a pitch deck on the board. It does not judge whether the film is good, and it does not replace a reader.

No. Storyflow does not build a film budget, draft or sign contracts, model a finance plan or send reminders when an option is about to end. Keep the budget in Movie Magic Budgeting or a spreadsheet, contracts with your lawyer, and put the totals and the PDFs on the Storyflow board so the slate stays the summary.

A slate compares many projects that may never be made. A production tracker follows one film that is being made, across its departments. When a project on the Storyflow slate is greenlit, its folder becomes the start of the production board, and the row leaves the slate.

Yes. In Storyflow each project lives on its own board inside its folder. Share that board's view-only link and the financier reads the deck, the lookbook and the summary in a browser with no account. The slate table is on a different board, and sharing is off on every board until you turn it on.

Yes. Invite a co-producer to the slate and a writer to their own project's board. They edit alongside you in the browser. Anyone a paid member invites to a board joins free, so a writer hired for one draft does not need a Storyflow plan to read notes and leave comments.

No. Storyflow runs in the browser and there are no native mobile or desktop apps. Open the slate in any browser, at your desk or in a meeting at a film market, and send a project's link from the same tab. Scripts, option agreements and reference pictures are dragged onto the board from that tab too, so there is nothing to set up before the first slate meeting.