Make a shot list for a video shoot with ChatGPT or Claude doing the breakdown and Storyflow holding the list: two-pass prompts, shot cards or tables, shoot order, time math and a worked 24-setup example.

Category
Video Production
Author
Storyflow Team
Product & Research Team
Topics
2026-10-09
•
34 min read
•
Video ProductionTo make a shot list for a video shoot, build it on a Storyflow board: paste the script or brief into ChatGPT or Claude, have it break the piece into scenes and then into one entry per camera setup, and let it write the list onto the board through Storyflow's MCP connector. Storyflow keeps the list as shot cards with frames or as a table with a Got it column, and the crew and client open it by link. Use StudioBinder instead when the list must feed stripboards and call sheets for a big crew, Shot Lister when the director runs the day from an iPhone, and Google Sheets for a ten-row list with no frames.
Full disclosure: Storyflow is our product. It ranks first here because the job is a shot list built with ChatGPT or Claude, and it is the only tool compared whose connector lets the assistant write and revise the list on a shareable board. Its main limit: it runs in a browser only, with no offline mode, and it does not send call sheets or track confirmations.
StudioBinder and Shot Lister have the longest record on real film and video sets, and that tenure deserves credit: StudioBinder for crewed productions with schedules and call sheets, Shot Lister for running the day from an iPhone. Neither offers a ChatGPT or Claude connector that we could find. Storyflow is newer and is the one whose MCP connector lets either assistant build and revise the list on a board the crew and client open by link.
Shot Lister, Milanote and Storyflow publish prices on their own pages. Shot Lister Pro is $15.99 a month or $99.99 a year, Milanote is $9.99 a month billed annually per person, and Storyflow starts at $7.99 a month billed annually, with invited collaborators joining free. Google Sheets is free with a Google account. StudioBinder documents its plan limits clearly, including a free plan capped at one project and ten shots.
Storyflow, because your own assistant can work inside it: through its MCP connector, ChatGPT or Claude builds shot cards with frames, per-scene tables and strip boards, then reads the board back to reorder the day. StudioBinder's Shot Tagger, which adds a shot when you select a script line, and Shot Lister's to-the-minute Live Mode are also genuine innovations, aimed at the production office and the set rather than the planning conversation.
StudioBinder and Shot Lister, by years on productions. Google Sheets is the most dependable fallback for a short list because everyone can open it. Storyflow's connector launched in October 2026, so its track record is short; what it offers is consistency of a different kind, one live list on one board that the assistant, the crew and the client all read, instead of copies in chats and emails.
Storyflow for brand films, social batches, interviews and shorts with a crew under ten: the assistant writes the setups onto the board, frames sit beside them, and the client opens a view-only link with no account. Choose StudioBinder when the list must feed stripboards and tracked call sheets for a bigger crew, Shot Lister for running the set from a phone, and Google Sheets for a ten-row list with no frames.
Google Sheets is underrated for small shoots: paste the assistant's table, share the link, done, with no new software. Shot Lister's Live Mode is underrated by people who only plan in it, because seeing the overrun to the minute changes decisions before lunch. Storyflow's strip board is easy to miss too: the same connector that builds the shot list can lay out the shoot days as strips.
Four places to keep a shot list you build with ChatGPT or Claude, ranked for that job, prices as of October 2026.
| Tool | Best For | AI Features | Price |
|---|---|---|---|
| Storyflow | Brand, social, interview and short narrative shoots | MCP connector lets ChatGPT or Claude build shot cards, tables and strip boards and read them back; built-in shot list workflow | $7.99 mo annual (paid-only today; Free plan due before the end of 2026) |
| StudioBinder | Crewed narrative productions | No AI or assistant connector found; script-linked Shot Tagger | Free plan: 1 project, 10 shots; paid tiers on its site |
| Google Sheets | Short lists with no frames | Gemini in Sheets from Workspace Business Standard | Free with a Google account |
| Shot Lister | Running the set from an iPhone | None listed | Pro $15.99 a month or $99.99 a year |
You paste a script into ChatGPT or Claude, ask for a shot list, and thirty seconds later you have a tidy table with forty rows. It looks finished. Two days later you are on location, the table is buried six screens up in a conversation, the gaffer has never seen it and nobody knows which of the forty rows were the ones the client cared about. The assistant did the thinking well. It did nothing about where the result lives.
That gap is what this guide is about. The breakdown itself is a job language models are good at. The failures happen after the answer arrives.
A chat is a feed, not a document. Every follow-up ("make shot 12 handheld", "add a cutaway for the latte art") produces a new version further down, and the version you shoot from is whichever one you remembered to copy. By the third revision there are three lists in the conversation and none of them is marked as the agreed one.
Your DP, your client and your editor do not have access to your ChatGPT history. Sharing a conversation link shares the whole transcript, including the drafts you rejected. So the list gets pasted into an email or a doc, and from that moment the assistant can no longer see the copy people are actually working from.
A shot list without pictures is fine for a tripod interview. For anything with a look (a product film, a music video, a fashion piece) the crew needs the reference frame next to the setup it belongs to, and a chat table cannot hold one.
Ask for "a shot list for this script" in one go and the model will happily skip a scene, merge two scenes into one row, or list a shot that needs a location you never mentioned. It is not lying. It has nothing to check its work against. The fix is to make the assistant work in two passes and to put the result somewhere it can read back.
Every tool here was judged on one job: taking a script or a client brief, turning it into a shot list with ChatGPT or Claude doing the breakdown, and carrying that list to the shoot. That is a different job from "best shot list software", where a dedicated production suite should win, and the criteria below are the points where this workflow breaks.
Each tool scored 1 to 5 per criterion; the weighted total is out of 100.
Script writing, budgeting, call sheet distribution and casting are out of scope. A production that needs those inside one system should read the decision rules further down before choosing anything.
| Criterion (weight) | Storyflow | StudioBinder | Google Sheets | Shot Lister | Milanote |
|---|---|---|---|---|---|
Assistant writes into it (25%) | 5 | 1 | 3 | 1 | 1 |
Frames beside setups (20%) | 5 | 4 | 2 | 3 | 4 |
Crew and client access (15%) | 5 | 4 | 4 | 2 | 4 |
Shoot-day planning (15%) | 3 | 5 | 3 | 5 | 2 |
On-set use (15%) | 3 | 4 | 3 | 5 | 2 |
Cost, solo or small crew (10%) | 4 | 3 | 5 | 4 | 4 |
Weighted total (of 100) | 86 | 66 | 63 | 61 | 53 |
Storyflow wins on the first three criteria and loses on the two that belong to dedicated production software. If your shoot is won or lost on the day's schedule rather than on the plan, weight those two higher and the ranking changes.
| Tool | How the assistant gets the list in | Frames per setup | Sharing | On set | Starting price (as of October 2026) |
|---|---|---|---|---|---|
Storyflow | Writes it directly through the Storyflow MCP connector, as shot cards or a table, and can read it back | Yes, a frame card in every shot wall | View-only link opens with no account; sign in to comment | Browser, including a phone browser; checkbox column; no offline mode | $7.99 a month billed annually (paid-only today; Free plan due before the end of 2026; invited collaborators join free now) |
StudioBinder | Copy and paste from the chat | Yes, storyboard panels synced to shots | View-only links and invited collaborators | Track shot completion on a phone | Free plan with 1 project and up to 10 shots; paid tiers on its pricing page |
Google Sheets | Paste a table from the chat; Gemini in Sheets on some Workspace plans | Images in cells, awkward at scale | Share link with view, comment or edit | Phone app and browser | Free with a Google account |
Shot Lister | Copy and paste, shot by shot | Storyboards on Pro | Crew Sync inside the app | iOS and macOS app with Live Mode | Free download, limited to 2 projects; Pro $15.99 a month or $99.99 a year |
Milanote | Copy and paste into notes | Yes, images on the board | Share link; sign in to comment | Browser | Free for 100 notes, images or links; $9.99 a month billed annually |
Sources for the competitor columns: StudioBinder's plan guide, StudioBinder's shot list page, Shot Lister, Milanote plans, Google Sheets and Google Workspace pricing, all checked on 9 October 2026.

Storyflow MCP connector linking ChatGPT and Claude to a Storyflow board
Connect Storyflow to ChatGPT or Claude, paste your script, and get shot cards or a per-scene table the crew and client open by link.

This is the full workflow, from an empty chat to a list the crew can shoot from. Nine steps, and the first one decides whether the other eight survive contact with the shoot.
Decide this before you type a prompt, because it decides what you ask the assistant to produce. Use Storyflow: connect it to your assistant once, and every list, revision and reorder lands on a board that the crew and client can open by link. The alternatives work if your shoot fits them: StudioBinder for a crewed narrative production where the list feeds a stripboard, Shot Lister for running the day on an iPhone, Google Sheets for a short list with no frames, Milanote for a visual reference board you will type the specs into yourself.
To connect Storyflow:
The full steps for Gemini, Grok, Claude Code and other tools are in the connection guide, and the overview is on the Storyflow MCP page.
Paste the script, the client brief or the treatment. If you have a deliverables list (a 90-second hero film, three 15-second verticals, ten stills), paste that too: on a commercial or social shoot, the deliverables write half the list. Add the shoot facts you already know: the days, the locations, the camera, the lens set, who is on camera and for how long. Everything you leave out, the assistant will either guess or skip, and both are worse than a blank.
The first pass is scenes only: number, location, interior or exterior, time of day, who is in it and one line on what happens. Read it against the script. This is where you catch a merged scene, a skipped insert or an invented location, and it costs thirty seconds instead of a reshoot. Only when the breakdown is right do you move on.
Now ask for shots, and say the rule out loud: one entry per camera setup, numbered scene-first (1A, 1B, 2A). A setup is a camera position and lighting state; several takes and even several framings can come from one setup, but a new position or a re-light is a new entry. Ask for size, angle, movement, lens, subject and action, and an estimated setup time for each. Ask it to justify coverage per scene in one line, so you can see why it thinks a scene needs six setups rather than three. For interviews, our guide to setting up an interview shoot covers the two-camera coverage, and planning B-roll covers the cutaways an editor will ask for.
Pick the format by the shoot. Shot cards suit anything with a look: Storyflow's create_shot_cards tool builds a left-to-right row with one wall per shot, each holding a frame, the size and light chips, a "Shots required" checklist, the scene direction and the equipment, with an arrow to the next shot. A table suits an interview or a long list read on set: one table per scene, with a checkbox column to tick on the day. Tell the assistant which you want. One limit to plan around: a Storyflow table holds at most eight columns and 50 rows, which is why one table per scene is the default.
Through the connector, each shot card starts with an empty frame or takes a picture that is already on the board. If your references are already on the board, ask the assistant to use them as the frames when it builds the cards, and they move into the walls instead of being duplicated. A photo you attach in the chat does not reach Storyflow by itself; the assistant can give you an upload link for the board instead. Inside Storyflow, the built-in AI's shot list workflow can also fill frames with web reference photos (captioned as reference) or, on Pro and Max, generated frames.
Ask the assistant to read the board back and reorder: fixed windows first (talent availability, sunrise, a café that opens at 7), then by location, then by lighting setup, then wide to tight within a setup. Ask it to state in one line which order it used. If you want the day laid out as a schedule, the connector can also build a strip board, one wall per shoot day with a strip per scene; how to make a production schedule covers the multi-day version.
Add the setup estimates and compare them with the working minutes in the day. If the total is over 90 percent of the day, something has to go before the shoot, not during it. Mark each setup A (the edit fails without it), B (makes it better) or C (only if ahead). Agree the A list with the director or the client, and you know exactly what to drop when the day runs long.
Send the view-only link. The crew and the client open it with no account, and sign in to comment. Keep the board as the single copy: when the client asks for a change, make it on the board (by hand or by asking the assistant), not in a forwarded PDF. Because the assistant reads the board rather than its memory of the chat, "what changed in the last week?" gets a real answer: Storyflow's connector reports what changed on a board and who changed it.

Verdict: the one place in this list where ChatGPT or Claude builds the shot list itself and can keep working on it.
Best for: producers, creators and small crews shooting brand, social, interview and short narrative video.
Pricing: Plus $7.99 a month billed annually ($9.99 monthly), Pro $14 ($19 monthly) adds AI image generation, Max $39 ($49 monthly) adds a team workspace with roles and permissions. No free plan during early access; a Free plan launches before the end of 2026, and anyone a paid member invites to a board joins free now. See pricing.
Storyflow is a visual project planning workspace: an infinite canvas board that holds notes, tables, documents, images, storyboards, mood boards and decks, with an AI agent that reads the board. Its MCP connector, launched in October 2026, means the assistant you already use can build on that board. For a shot list that is three tools in particular: create_shot_cards for the card format, tables for the compact format and create_strip_board for the shooting schedule. The assistant also reads the board back, so reordering, renumbering and "add a cutaway after 3C" work on the real list. Paid plans have no MCP limit, and the connector runs on your assistant's model, so it does not spend Storyflow AI credits.
Limitations: browser only, with no iPhone or desktop app and no offline mode; tables cap at eight columns and 50 rows; no stripboard-to-call-sheet pipeline with tracked confirmations; no free plan during early access.
Verdict: the strongest production suite here, and a copy-and-paste destination for anything your assistant writes.
Best for: narrative productions with a first AD, multiple shoot days and a crew that needs call sheets.
Pricing: a free plan with one project and up to ten shots; Starter, Indie and Professional tiers raise the project limit to 10, 25 and unlimited, per StudioBinder's plan guide. We could not load current prices from its pricing page, so check them there.
StudioBinder's shot list tool does the production side of the job thoroughly: its Shot Tagger adds a shot when you select a line of the script, shots group into camera or lighting setups, time estimates total the day, and storyboard panels sit with the shots. It has view-only links and lets people track completion on a phone. What it does not have is a way for ChatGPT or Claude to write into it, so the assistant's breakdown becomes your typing.
Limitations: no assistant connector found; the free plan's ten-shot cap is too small for most real shoots.
Verdict: the honest default for a short list with no frames.
Best for: an interview, a podcast shoot or a ten-row B-roll list.
Pricing: anyone with a Google account can create in Sheets. Gemini in Sheets is not in Workspace Business Starter and is included from Business Standard up, per Google Workspace pricing.
Ask ChatGPT or Claude for the list as a table, paste it into a sheet, and you have something everyone can open. It handles columns, sorting and sharing well. It falls down on frames (images in cells get awkward past a dozen rows) and on keeping the assistant in the loop: once the list is in the sheet, every revision is a new paste.
Limitations: no frames worth the name; the assistant cannot see the sheet unless you paste it back.
Verdict: the best on-set tool here, and a planning tool you feed by hand.
Best for: directors and ADs who run the day from an iPhone.
Pricing: free download; Pro is $15.99 a month or $99.99 a year inside the app, and Studio starts at $24.99 a month for ten users, per Shot Lister's site.
Shot Lister's Live Mode tracks the day against the plan to the minute and lets you reorganize mid-shoot; its scheduling builds the day shot by shot. Pro adds storyboards, script import and Crew Sync. For this guide's job it ranks fourth because the assistant's output has to be re-entered shot by shot, and the people who are not on the crew (a client, an editor) are outside the app.
Limitations: built around its app (iOS and macOS downloads on its site); no assistant connector; client review is not its job.
Verdict: a lovely reference board that leaves the shot list to you.
Best for: gathering the look before a photo or video shoot when someone else owns the schedule.
Pricing: free for 100 notes, images or links and 10 file uploads; $9.99 a month billed annually per person, or $49 a month billed annually for a team, per Milanote's plans page.
Milanote holds images, notes and links on a board and shares well. Its plans page lists no AI features, and we found no ChatGPT or Claude connector, so the assistant's list arrives by paste, as notes you arrange by hand. For mood boards it is a real competitor; for a shot list built by an assistant it is the weakest fit here.
Limitations: no shot list structure, no AI, no connector, no scheduling.
These prompts assume Storyflow is connected. If you are pasting into another tool instead, drop the parts about the board and ask for a table you can copy.
| Stage | Prompt |
|---|---|
Scene breakdown | Read the script below. List every scene as a numbered row: scene number, location, INT or EXT, time of day, characters, and one line on what happens. Do not suggest shots yet. Flag anything in the script you are unsure is a separate scene. |
Deliverables check | Here is the client's deliverables list. For each deliverable, tell me which scenes feed it and what frame (16:9, 9:16, 4:5) it needs. List any deliverable no scene covers. |
Coverage | For each scene, list the camera setups the edit needs, one entry per setup, numbered scene-first (1A, 1B). Give size, angle, movement, lens, subject and action, and a setup time. Under each scene, say in one line why it needs that many setups. |
Gap check | Compare the setups against the script. List any line of action or dialogue no setup covers, and any setup that needs a location, prop or person not in the script. |
| Stage | Prompt |
|---|---|
Build cards | In my Storyflow project for this shoot, build the shot list as shot cards, one per setup, in the order above. Use the reference pictures already on the board as frames where they match a setup, and leave the rest as empty frames. Put the production name as the heading. |
Build tables | In my Storyflow project, build one table per scene with columns Shot, Size, Movement, Subject and action, Lens, Setup, Priority and a Got it checkbox. Title each table with its scene. |
Shoot order | Read the shot list on the board and reorder it into shoot order: fixed windows first, then location, then lighting setup, then wide to tight. Tell me in one line which order you used and what moved. |
Schedule | Build a strip board for the two shoot days from the scenes on this board, in the shoot order we agreed. |
| Stage | Prompt |
|---|---|
Time math | Add up the setup times on the board. The day has 495 working minutes. Tell me the total, the slack, and which C setups to cut first if we lose an hour. |
Priorities | Mark every setup A, B or C. A means the edit fails without it. Show me the A list only, so I can send it to the client. |
What changed | What changed on the shot list board in the last day, and who changed it? |
Here is an illustrative worked example, run end to end as you would run it; the setup times and the day are estimates, not a recorded shoot. The client is a small coffee roaster. The deliverables are a 90-second brand film for the website (16:9), three 15-second verticals for Reels, TikTok and Shorts (9:16), and a founder interview the editor can cut from. One shoot day, two locations ten minutes apart: the roastery and the café.
We pasted the client's one-page brief, the deliverables list and the facts: Sony FX3 and FX30, a 24-70mm and a 50mm, one LED panel kit, a lav and a shotgun, the founder available from 8:30 to 12:00, the café opening to the public at 15:00. Claude's scene breakdown came back with seven scenes. One was wrong: it split "roasting" into two scenes because the brief mentioned both the drum and the cooling tray. That is one lighting setup in one corner, so we merged them back into six.
| Scene | Location | What happens | Feeds |
|---|---|---|---|
1 | Roastery | Green beans poured into the roaster, drum turning, beans tipping into the cooling tray | Hero film, vertical 1 |
2 | Roastery | Founder interview, seated, two cameras | Hero film, interview cut |
3 | Roastery | Cupping: founder and roaster taste and score | Hero film, vertical 2 |
4 | Roastery | Bagging and labelling by hand | Hero film |
5 | Café | Barista pulls a shot, pours latte art, hands it over | Hero film, vertical 3 |
6 | Café | Customers at tables, the room, the street outside | Hero film |
The coverage pass gave 26 setups. Two were C-grade duplicates (a second street wide, a second bag close-up), which we cut before building. The remaining 24 went onto the board as shot cards, with the client's three reference photos moved into the walls for 1A, 3A and 5C.
| Scene | Setups | Example setups | Minutes |
|---|---|---|---|
1 Roasting | 5 | 1A wide of the roaster, 1B macro on beans in the drum window, 1C slow push on the cooling tray | 85 |
2 Interview | 3 | 2A main camera medium, 2B second camera tight profile, 2C room tone and cutaways of hands | 100 |
3 Cupping | 4 | 3A two-shot at the table, 3B spoon break insert, 3C close-ups each way | 70 |
4 Bagging | 3 | 4A wide of the bench, 4B label insert, 4C overhead of the scoop | 45 |
5 Café pour | 5 | 5A barista medium, 5B portafilter insert, 5C latte art overhead, 5D hand-off, 5E vertical-only medium | 80 |
6 Café room | 4 | 6A room wide, 6B customers over the shoulder, 6C cups on tables, 6D street exterior | 52 |
Total | 24 | 432 |
Script order would have started with roasting. Shoot order starts with the interview, because the founder leaves at 12:00 and the interview is the only scene the edit cannot work without.
| Block | Time | Setups | Why here |
|---|---|---|---|
Interview | 8:00 to 9:40 | 2A, 2B, 2C | Founder only available until 12:00; lit before the 8:30 arrival |
Cupping | 9:40 to 10:50 | 3A to 3D | Needs the founder; same corner, light re-flagged |
Bagging | 10:50 to 11:35 | 4A to 4C | Same room, daylight from the bench window |
Lunch | 11:35 to 12:35 | ||
Roasting | 12:35 to 14:00 | 1A to 1E | Roaster runs a batch at 12:45 |
Company move | 14:00 to 14:45 | Ten minutes away plus load out and in | |
Café | 14:45 to 16:57 | 5A to 5E, 6A to 6D | Pour inserts in the empty room first; customers from 15:00 |
Slack | 16:57 to 18:00 | Contingency |
The arithmetic: a 10-hour day is 600 minutes. Take out the 60-minute lunch and the 45-minute move and you have 495 working minutes. The 24 setups need 432, which leaves 63 minutes of slack, about 13 percent. Under 10 percent and we would have cut two more C setups before the shoot.
Three things needed a human. The split roasting scene, already mentioned. A café exterior "at golden hour", when the schedule had the crew inside the café until wrap, so it became a plain street wide. And 5E, a vertical-only medium of the barista, which it had left out entirely until we ran the deliverables-check prompt; a 9:16 crop of a 16:9 wide keeps less than a third of the frame's width, so the verticals need their own setups. All three were caught because the list was on a board we could read against the script, with the frames in place, rather than in a chat reply we had to scroll.
The DP and the client opened the view-only link on their phones. The table version of the list (generated from the same setups for the AD) had a Got it column, ticked as we went. At 13:30 we were 15 minutes behind; the C list said drop 1E and 6C, and we did, without a conversation. The client's one comment on the board ("can we see the bag label clearly?") had already been answered by 4B.
| Setup | Monthly cost (as of October 2026) | What you get |
|---|---|---|
Claude Free plus Storyflow Plus | $7.99 (annual billing) | One custom connector in Claude; the assistant writes the list onto your board |
Claude Pro plus Storyflow Plus | $24.99 ($17 Claude Pro annual plus $7.99) | More Claude usage for long scripts |
ChatGPT Plus plus Storyflow Plus | $27.99 ($20 plus $7.99) | ChatGPT with developer mode connectors |
ChatGPT or Claude plus Google Sheets | $0 to $20 | Copy and paste; no frames |
Shot Lister Pro | about $8.33 ($99.99 a year) or $15.99 monthly | On-set app; you type the list in |
Milanote | $9.99 (annual billing) | Reference board; you type the list in |
Claude prices from Claude's pricing page; ChatGPT Plus from OpenAI's help center.
On Storyflow, one paid member invites the other three to the board; invited collaborators join free and edit in real time, so the cost stays at $7.99 a month billed annually. Max at $39 a month annual adds a team workspace with roles and permissions, which matters when a producer runs several productions at once. Milanote's per-person price for four is $39.96 a month annual; its team price is $49. Shot Lister Studio starts at $24.99 a month for up to ten users. StudioBinder's tiers include a set number of complimentary users per plan (one on Starter, four on Professional, per its plan guide), with prices on its pricing page.
The real cost is not the subscription. It is the 40 minutes on the day spent finding the current version of the list.
Storyflow, with ChatGPT or Claude doing the breakdown. The frames, the client link and the assistant's ability to reorder the list are what this kind of shoot needs, and none of it needs a production office.
StudioBinder for the production side (our StudioBinder alternatives roundup covers the other suites). You can still use ChatGPT or Claude for the breakdown and Storyflow for the look and the frames, but the stripboard, schedule and call sheets belong in a production suite.
Shot Lister on set, alongside whichever tool holds the plan. Live Mode is the feature that earns it.
Google Sheets. Ask the assistant for the table, paste it, share the link. Do not buy software for this.
"Make me a shot list for this script" asks the model to read, break down, cover and order in one pass, with nothing to check against. Two passes (scenes, then setups) cut the error rate more than any clever wording.
A scene list with a shot size next to each row looks like a shot list and is useless on set. Say "one entry per camera setup" in the prompt, every time.
An assistant that does not know your call time, location address or crew names will make some up if the prompt implies it should. Tell it to leave unknowns blank and list them as open questions.
Script order is the order the audience sees. Shoot order is the order the day can afford. Ask for the reorder explicitly and ask it to explain the order it chose.
If the brief has 9:16 cutdowns, some setups must be framed for them. A crop from a 16:9 wide rarely works. Run the deliverables-check prompt before the coverage prompt.
The chat is where the list is written, not where it lives. The moment it is right, put it somewhere the crew can open and the assistant can read back.
Storyflow earns first place on this job, and it is still the wrong tool for some shoots. Here is where to go instead.
Storyflow has no free plan during early access; its Free plan launches before the end of 2026. If your budget is zero, use Google Sheets with Claude's Free plan, or StudioBinder's free plan if the list is ten shots or fewer.
Storyflow runs in a browser and has no offline mode. If your location has no signal, Shot Lister's app or a printed list is the safer choice.
Storyflow builds strip boards and its built-in AI drafts call sheets, but it does not send call sheets or track who confirmed. A crewed production that runs on those needs StudioBinder or a similar suite.
A Storyflow table caps at eight columns and 50 rows. Per-scene tables handle most shoots, but a 300-shot feature with fifteen columns of department notes will be happier in a spreadsheet or a production suite.
Use this as the column spec in your coverage prompt, or ask the assistant to build it as a table on your board.
| Column | What goes in it | Example |
|---|---|---|
Shot | Scene number plus setup letter | 5C |
Size | Wide, medium, close-up, ECU, OTS, insert | Overhead insert |
Angle | Eye level, high, low, overhead | Overhead |
Movement | Static, pan, tilt, handheld, push in, gimbal | Static |
Subject and action | Who or what is in frame and what happens | Latte art poured into a white cup |
Lens | Focal length and aperture | 50mm at f/2.8 |
Setup | Time to light and rig | 0:15 |
Got it | Checkbox, ticked on the day | (unticked) |
| Shoot type | Swap in | Swap out |
|---|---|---|
Creator or YouTube | Type (A-roll, B-roll, insert), Audio | Angle, Lens |
Brand or commercial | Product, Priority (A, B, C) | Angle |
Interview or documentary | Location, Audio, Lighting | Movement |
Music video | Frame rate (24, 60, 120 fps) | Setup |
Social batch | Orientation (16:9, 9:16, 4:5) | Angle |
If you would rather start from a ready board, the shot list template and the AI shot list generator start from the same structure.
ChatGPT and Claude are good at the thinking part of a shot list: breaking a script into scenes, scenes into setups, and arguing for coverage. They are bad at the part where the list has to live somewhere other people can open, with frames beside the setups and one agreed version. Connect Storyflow, run the two-pass breakdown, let the assistant build the list on the board, and send the crew the link. If your production runs on stripboards and tracked call sheets, keep StudioBinder for that half; if your director lives on an iPhone, add Shot Lister for the day. For most brand, social and interview shoots, one board and one assistant is the whole stack. Start with the Storyflow MCP page.
Make it on a Storyflow board with ChatGPT or Claude doing the breakdown. Paste the script or brief, ask for the scenes first, then one entry per camera setup with size, angle, movement, lens and setup time, and have the assistant build it on the board through the Storyflow connector. Reorder into shoot order, check the time against the day, mark A, B and C priorities, and share the view-only link with the crew.
Yes, ChatGPT can write a solid shot list from a script or brief if you ask in two passes: scenes first, then setups. What it cannot do on its own is keep the list somewhere the crew can open. With ChatGPT Plus or above and developer mode on, you can connect Storyflow so ChatGPT writes the list onto a board and reads it back for changes, instead of leaving it in the chat.
Yes. Paste the script, ask for the scenes first and the setups second, and ask Claude to explain in one line why each scene needs the coverage it suggests. Claude's Free plan allows one custom connector, so you can connect Storyflow at no extra cost on the Claude side and have it build shot cards or tables on your board. Storyflow itself needs a paid plan, from $7.99 a month billed annually.
Both produce usable lists; the difference between them is smaller than the difference between one prompt and two. The practical gap is access: Claude's Free plan can use one custom connector. ChatGPT needs Plus at $20 a month or above for developer mode connectors. Pick the one you already pay for and spend the effort on the scene breakdown pass.
Shot number, size, angle, movement, subject and action, lens, setup time and a Got it checkbox cover most shoots. Swap columns by shoot type: add audio and A-roll or B-roll for creator video, product and priority for brand work, orientation for social batches and frame rate for music videos. Keep subject and action as the only prose column so the list stays readable on a phone.
There is no fixed number; count setups, not shots, and fit them to the day. A ten-hour day with lunch and one company move leaves roughly 495 working minutes, and at 15 to 20 minutes a setup that is 24 to 30 setups. Interviews and complex lighting take longer. If your total is over 90 percent of the working minutes, cut C setups before the shoot.
A setup is a camera position and lighting state; a shot is a framing taken from it. Several shots (a medium and a close-up on a zoom, say) can come from one setup without re-lighting, but a new camera position or a re-light is a new setup and a new entry. Shot lists number setups because setups are what take time on the day.
Yes, with limits. Through the Storyflow connector, each shot card has a frame: empty for you to fill, or a picture already on the board that the assistant moves into the card. A photo you attach in the chat does not reach Storyflow; the assistant gives you an upload link for the board instead. Storyflow's built-in AI can also fill frames with web references or, on Pro and Max, generated images.
Order by what cannot move first: talent availability, daylight and location windows. Then group by location, then by lighting setup, then shoot wide to tight within each setup so the lighting only gets finer. Ask your assistant to reorder the list on the board and to say in one line which order it used, then check that every A-priority setup lands before the riskiest part of the day.
No. For interviews, events and documentary work, a shot list alone is enough. For anything with a designed look, a storyboard or reference frames help the crew see the shot, and keeping them on the same board as the shot list means each frame sits beside its setup. Storyflow holds both on one board; StudioBinder links storyboard panels to its shot list.
On Storyflow, yes: the client opens the view-only link with no account, and signs in to comment. StudioBinder also has view-only links. Google Sheets works with a share link. Shot Lister is built around its app and crew, so a client usually gets a PDF instead. Whatever you use, share one link to one live list rather than attachments that go stale.
Not during early access. Storyflow plans start at Plus, $7.99 a month billed annually or $9.99 monthly. A Free plan launches before the end of 2026. Anyone a paid member invites to a board joins free and can edit, so a crew of four can work on one shot list under a single subscription. On a free account, the connector allows 25 actions a week.
No. The connector runs on your own assistant's model (ChatGPT, Claude or another), so building and editing the shot list through it does not spend Storyflow AI credits. Plus, Pro and Max have no limit on connector actions. A free account, today one that a paid member invited, gets 25 actions a week, where every read and every change counts as one, resetting on Monday UTC.
Check five things: every scene in the script has at least one setup, every deliverable has setups framed for it, the setup times total under 90 percent of the working minutes, the A list is agreed with the director or client, and the crew has the link to the live list. Ask your assistant to run the gap-check prompt against the board; it catches the missing insert you would otherwise discover in the edit.
A shot list says what to shoot; a call sheet says who arrives where and when. The shot list feeds the call sheet's schedule, but the call sheet adds call times, locations, contacts, weather and the nearest hospital. Storyflow's built-in AI can build a call sheet as a page deck on the board, leaving unknowns blank, which you export as a PDF; it does not send it or track confirmations, which suites like StudioBinder do.
Table of Contents
Skip the blank canvas. Open one of these filmmaking boards in Storyflow and the AI builds on the structure that is already there, from research through the shot list.
A visual AI workspace where every feature lives inside one canvas. No tab-switching, no context lost.
Build your entire board from a single message
Type what you need in the AI chat at the bottom of your canvas. The AI adds cards, headings, and structure directly onto your board.
Use expert frameworks as AI context
Type @ in the AI chat and choose any Tactic. The AI tailors every response to that framework instead of giving generic advice.
Turn your board into a mind map in seconds
Ask the AI to restructure your canvas as a mindmap. It connects your ideas into a visual hierarchy so you can see how everything relates.
Storyflow actually began as a personal tool while working on creative and research projects.
We kept running into the same problem: ideas were scattered everywhere: notes, documents, and whiteboards.
Nothing helped us see how everything connected.
So we started building a workspace designed around how ideas actually grow.
→ Read how Storyflow was createdStoryflow Team
Product & Research Team
Published: 2026-10-09
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